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The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. |
Within this unit the candidate would generally demonstrate a command of a broad range of techniques as the basis for experimentation and innovation. Techniques may include: | combination of erasing and layering of marks in a range of mediadigital drawing techniqueslayering of marks in a range of mediaoverlapping or superimposing translucent marks over other translucent imageryusing mixed drawing media and a range of techniques to produce drawings, e.g. 'wet' techniques over 'dry' techniques. |
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Techniques for drawing may also include extending, building upon and combining the following techniques: | linear marks of differing intensity and character, e.g. thick, sharp, thin, curvilinear, soft (side of pencil or crayon) linear marks to produce illusion of 3D form simple linear perspective through the use of a vanishing pointtonal range to produce illusion of 3D form. |
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Materials may include: | charcoal fabrics of differing weights and texturesglass, perspex or metal surfacesgraphite ink and wash pastels and chalks pencils from H-HB, B-9Brange of papers of differing weights and textureswatercolour wood, board. |
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Tools may include: | air brushbladesbrushes computer equipment, including graphic software, scanners and printers, discs, CDsrags scrapers spatulas |
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Extending capabilities through: | experimentation encourages the exploration of the full potential of the art form and involves innovation. |
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Particular safety or environmental issues may include: | Federal, State and Territory legislation, regulations and standardspersonal protectionrecyclingsafe disposal of waste. |
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Research may involve: | approaching individuals with relevant expertiseattending lectures and talksconducting material and technical experiments and testsseeking out information in books, journals, newspapersvisiting exhibitions, museums. |
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Intellectual property, moral rights and copyright requirements may relate to: | extent to which the work may be usedprocedures for seeking permission to use the work of others, including systems for the administration of copyrightprotocols for the adaptation of work by others. |
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The conceptual vision may be determined by: | elements and principles of designthe relationship of the work to a theoretical and historical contextthe subject matter or theme for the drawings, e.g. the body; identity; land and place; political, cultural, social issues; spiritual concerns. |
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Refining the conceptual vision may include: | adjustment to consideration of elements and principles of designadjustment to subject matter or themeadjustment to utilise the extended capabilities of the techniqueno change. |
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Sources of supply may include: | commercial outletsfound objects or materialsmanufacturing or factory wastenature. |
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Cost and other constraints may relate to: | availability of materials and toolsbudgetingsponsorshiptimeframe. |
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Workplace requirements may include: | bench space, easelslightingventilation. |
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Issues of presentation may include: | costpractical considerationpresentation contexttimeframe. |
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Taking action may involve: | deciding on presentation methodseeking external assistance, e.g. with framingselecting and preparing work for presentation. |
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